Human-Animal Transformation

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Painting on an Attic crater, dating to 410-400 B.C., now in the Museum of the Fasanerie Castle, Eichenzell, Germany. The image shows one of the rare representations of Erechtheus or Erichthonius, mythical Athenian king. The more ancient traditions often conflates the two personages which were later interpreted as two different individuals. A myth narrates that Hephaestus, in his attempt to have intercourse with Athena and refused by her, spread his semen on the earth, Gea, from whom Erichthonius was born. The child, concealed in a basket, was entrusted by Athena to the three daughters of the king Cecrops, regarded as the first king of Attica, and who was himself regarded as part man, part serpent. The goddess interdicted the girls to open the basket. But the maidens, unable to resist to the curiosity, opened the container and saw a child in the shape of a serpent, or of a snake-man and, prey to the folly, threw themselves from the Acropolis. Erichthonius, born from the Earth and ancestor of the Athenians, became the symbol of their autochthony and of their linkage with the territory of Attica. The temple dedicated to Athena on the Acropolis, which is ornamented on the south side with the Porch of the Caryatids, was deemed founded by Erechtheus/Erichthonius and is called still nowadays the Erechtheion. In this temple were kept the material evidences of the primordial contest between Athena and Poseidon for the control of the territory of Athens. Poseidon showed his power making a well of sea-water gush out of the rock with a thrust of his trident, while Athena made the first olive tree sprout out, thus obtaining the primacy as the protectress of the city. Near the Erechtheion it was possible to see the signs of Poseidon’s trident, where it had stroke the rock to make the water spurt, and nearby the sacred olive tree, that stands out in the pottery painting. In this image can be detected, too, some symbolic elements that shall become part of the Christian tradition, such as the olive branch, the lamb which Erechtheus holds in his arm and the winged figures, similar to angels.

[Source: http://www.beazley.ox.ac.uk/XDB/ASP/recordDetails.asp?id=EEDE3A09-B840-4A28-BE4F-453F29D16F6D]