Print of the XVI century representing a Dance of Fools (Stultorum
Chorea), produced in The Netherlands and now in the Harry Ransom
Humanities Research Center, University of Texas at Austin, USA.
A central figure, crossing all through the medieval imaginary, is that
of the Fool,
who, for many aspects, is similar to that of the Wild Man. Both show
therianthropic elements, and their attributes (the Fool’s marotte
and the Wild Man’s stick) are sometimes interchangeable. Their
functions, too, are in part overlapping, like that of bringer and promoter
of fertility. But the Fool knows also what reason does not know, he
possess the power of foresight and is placed thus in a condition of
otherness compared to the average man, in the same way as the Wild Man
is placed at the borders of the human world, in contiguity with both
the animal and the plant worlds. In Western Middle Ages. “the
folly indicates the hand, the choice of God. The insane sees what the
others cannot see; he is able to foretell the future and knows beforehand
the destiny of men” (Heers 1983, p.142).
[Image: http://art-links.livejournal.com/1657884.html?thread=8668700]