Figures above and below:
Illustrations from a French manuscript of the Romance of Alexander
(1338-1344), now in the Bodleian Library, University of Oxford. The
characters shown wear animal masks and are similar to many masquerades
of contemporary Carnival traditions.
The historical sources on the first centuries of Christianity relate
above all evidence of animal masquerades during the Calends of January,
in which several individuals wore deer masks (“cervulum facientes”),
others wore sheep or goat skins, and still others put on their heads
animal masks (“alii vestiuntur pellibus pecudum, alii assumunt
capita bestiarum”). These masquerades produced a particular
emotional state, an ecitation, through which the masked individuals
appeared as no more human (“gaudente set exultantes, si taliter
se in ferinas species transformaverint, ut homines non esse
videantur”) (Caesarius of Arles, VI century).
“In these animal disguises, we propose to see a ritual correlative
of the metamorphoses into animals which were experienced in ecstasy,
or of the ecstatic rides on animals, which were a variant of it. If
this hypothesis is accepted, the most part of the rituals practiced,
in the West as well as in East, during the Calends of January arrange
themselves in a coherent framework. Children questing, desks set for
the nocturnal divinities, and animal disguises stood for different ways
to enter into relationship with the dead, ambiguous dispenser of prosperity,
in the crucial period in which the old year ends and the new year begins”
(Ginzburg 1989, p. 165).
[Image: http://bodley30.bodley.ox.ac.uk:8180/luna/servlet/detail/ODLodl~1~1~33928~
105855:Romance-of-Alexander;
www.neh.gov]