Carved capital from the Abbey of La Sauve-Majeure, Aquitaine, France,
established in the XI century. The image shows a Mermaid, the fish-woman
who took the place of the bird-woman Siren of the Classical tradition.
The latter, during the medieval period, has blended with a different
tradition, of Northern origin, about the mermaid (“sea maiden”,
Old English merewif, “sea witch”). The relationship
with the aquatic element associates primarily this figure with the concept
of fertility, but also with unbridled sexuality. For this reason, it
became for Christianity a symbol of lust and sin.
“The sirens are sea maidens who deceive the sailors with their
beautiful appearance and entice them with their chant; from head to
navel they have the body of a virgin and are quite similar to the human
species; but they have scaly fish-like tails which they conceal among
the waves” (Liber monstrorum, VIII cent., Porsia 1976,
p. 149).
[Image: http://www.amolenuvolette.it/root/image/abrupt_clio_team.folder/merveilles%
20des%20%C3%A9gllises% 20romanes.folder/]