Figure
on the left:
Wooden statue representing the goddess Mephitis, height 168 cm., discovered
in the sanctuary of the Valle d’Ansanto, near Rocca San Felice
(Avellino), dating to the VI-V century B.C. and actually in the Museum
of Capodimonte, Naples, Italy.
The cult of the goddess Mephitis is documented in the region inhabited
by the ancient Italic people of the Osci, particularly in the Valle
d’Ansanto, since the VI century B.C. The particular landscape
configuration, of volcanic origin, its sulphurous waters and the sulphur
exhalations were determining factors for the sacralisation of the place.
The goddess reveals indeed a special relationship with thermal and sulphurous
waters, to which therapeutic properties were attributed, and with milky
springs, which were regarded as propitiators for the secretion of milk
in the new mothers. Mephitis assumed in this way the quality of a goddess
of health and of women’s fertility. Her cult was deeply rooted,
as demonstrated by the fact that it survived to the introduction of
Christianity, which has substituted in these places the cult of the
Virgin Mary to that of the ancient goddess, maintaining nevertheless
the main functions. At Rossano di Vaglio, for example, a chapel was
dedicated to the Virgin, just near the spring that flew through the
pagan temple, while at Mirabella Eclano was instituted the cult of the
Sacred Milk of the Most Blissful Virgin (Calisti, 2006).
[Image: http://www.romanoimpero.com/2011/03/culto-di-mefite.html]
Figure on the right:
Bronze
statuette of the goddess Mephitis (II-III century B.C.), from the sanctuary
of San Pietro di Cantoni (Sepino, Campobasso) and now in the Saepinum
Archaeological Museum, Altilia di Sepino (Campobasso, Italy).
The sanctuary was frequented continually from the IV century B.C. until
the V century A.D., and its remains are superimposed by a Christian
religious building, now destroyed. In the area of the temple have been
discovered several votive objects, reproducing parts of the human body
to invoke healing, as well as working tools and loom weights which are
associated with the agricultural works, to transhumance and to female
activities. The statuette represents the goddess with a duck in her
hand, probable reference to the aquatic world, Mephitis’s specific
domain, but perhaps also to the periodic migration of the water birds,
as marker of the seasonal changes. The powers and characteristics of
the goddess are attributable to her function as patroness and propitiator
of fertility in women, in the fields and in the animals, as well as
her other function as healer and patroness of the health of both humans
and animals.
[Image: http://www.romanoimpero.com/2011/03/culto-di-mefite.html]