Figure
above:
Marble statue of the goddess Fortuna, Roman copy of the II century A.D.
from a Greek original of the V century B.C., now in the National Museums
(Staatliche Museen), Berlin, Germany.
Fortuna was a Latin goddess who presided over what of unpredictable
there is in human life and personified the uncertainty and the fluctuations
of fate which characterize the existence of humankind. It is likely
that, originally, the goddess represented fertility and the wealth which
derives from the former. Symbol of the goddess’s functions were
her iconographic attributes more frequently represented: the rudder
and the cornucopia, both derived from her Greek homologue, the goddess
Tyche. The rudder represented her role as conductor of human events,
while the horn of plenty recalled the significance of abundance and
prosperity. The goddess’s head was surmounted by a kalathos,
a basket employed to put away the female working instruments, but also
fruits and grain, and in which was produce the cheese. Fortuna’s
cult was particularly practiced by the less wealthy social classes and
mostly by slaves. At Praeneste (actual Palestrina, in Latium) was located
an imposing temple dedicated to Fortuna Primigenia. The title was interpreted
as “Primordial Fortuna”, but perhaps it had the meaning
of “First-born daughter” of Iuppiter (Daremberg-Saglio 1896,
vol. 2/2, p. 1270). Here an oracle had its seat, which manifested itself
though sticks with written sentences, which a child selected at random
and distributed to the questioners.
[Image: http://library.artstor.org/library/]
Figure
below:
Temple
in the Forum Boarium in Rome, known as Temple of Fortuna Virilis, dating
to the II-I century B.C. Originally, the temple was dedicated to Portunus,
a god protector of the harbour towns, of the doors and of merchandises,
and later probably attributed to the goddess Fortuna. The feast of Fortuna
Virilis, notwithstanding its name, was mostly a female ritual, celebrated
on the Calends of April, the first day of the month, in association
with Venus Verticordia (“Who turns the hearts”). All the
women, the prostitutes included, crowned with myrtle, took a bathing
in the male baths, performed invocations to the goddess and ritual ablutions
with the purpose of obtaining Fortuna’s benevolence, who was expected
to hide to men any female physical defect. The statue of the goddess
was then subjected itself to a ritual bath (Ovid, Fasti, IV,
133-170).
[Image: http://library.artstor.org/library/]